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Federico fellini la strada
Federico fellini la strada





federico fellini la strada
  1. Federico fellini la strada movie#
  2. Federico fellini la strada series#
federico fellini la strada

He worked as a screenwriter and assistant director for Roberto Rossellini before making his own films in the 1950s. He also drew the strip 'Geppi La Bimba Atomica'.Īfter World War II, Fellini abandoned comics in favor of directing films.

Federico fellini la strada series#

What is certain is that he contributed to the comic series 'Giacomino' and 'Cico e Pallina', both published in Marc'Aurelio. Fellini additionally had a reputation for often twisting personal anecdotes into more fantastic stories, so some of his recollections have to be taken with a grain of salt. In his opinion, the scripts lack Fellini's characteristic style. However, fumetti expert Leonardo Gori has cast doubt over this often-repeated story, claiming that the Italian versions of 'Flash Gordon' weren't drawn by Toppi - who passed away in 1942 - but by Guido Fantoni. comics, such as 'Flash Gordon', Giove Toppi continued the series by imitating Alex Raymond's graphic style, while Fellini wrote new stories. When Mussolini banned the import of all U.S. Between 19 he contributed to weeklies like the Florentine magazine 420 and wrote for the bi-weekly humor magazine Marc'Aurelio. All these forms of entertainment inspired his own outlook on life, which often mixed realism with fantasy.įellini had a gift for drawing and caricaturing, which motivated him to become a caricaturist and portrait painter. Fellini was particularly mezmerized by Winsor McCay's 'Little Nemo in Slumberland', Floyd Gottfredson's 'Mickey Mouse', George McManus' 'Bringing Up Father', Frederick Burr Opper's 'Happy Hooligan', Lyman Young's 'Tim Tyler's Luck', Alex Raymond's 'Flash Gordon' and Lee Falk's 'Mandrake the Magician' and 'The Phantom'. His favorite magazine was Il Corriere dei Piccoli, which published both local "fumetti" (photo comics) as well as translations of U.S.

federico fellini la strada

He also lost himself at the circus and devoured numerous novels, fairy tales and comics. As a child he loved going to the cinema, praising Charlie Chaplin, Laurel & Hardy, Buster Keaton, Walt Disney and the Marx Brothers as much as Luis Buñuel, Roberto Rossellini and Sergei Eisenstein.

Federico fellini la strada movie#

Later in life he collaborated with Milo Manara and still kept sketching comics and cartoons before each new movie project.įederico Fellini was born in 1920 in Rimini. His very recognizable and eccentric style inspired the eponym "Fellinesque". Little is known that before his cinematic career, Fellini was also a busy comic artist, drawing humorous series for the Italian magazine Marc'Aurelio. Recurring themes are Rome, the Catholic Church, the circus and clowns, huge women, love for cinema, scenes of decadence and people with unusual physical appearances. His highly autobiographical work often borders to the sensational and surreal. 'The Book of Dreams', from Rolling Stone Magazine.įederico Fellini was one of Italy's most famous film directors, widely considered one of the most influential directors of the 20th century.







Federico fellini la strada